This blog is an artwork history and work in progress log. NSFW/R18 images are present.
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カテゴリ「nsfw」に属する投稿［86件］
teeny bit of nsfw yume / #zihark art & writing under the cut, don't look at me la la la~
They have a private game every time he wins an arena duel.
____
She had to swallow a few times more before his thick viscosity would allow words without a raven's croak, sweetly savoring how he tasted. The thick salt was like slow and easy victory -- the same tang of his musk in the early hours of the morning when mouths would trail warm flesh and even his war-calloused hands wasn't enough for heedless hunger.
Zihark was making himself decent again, distinctly hampered by the fact of her leaning against his middle. Neither of them seemed to particularly mind the risk of being found out with pants quite literally down.
"You know." Glancing up to see him working his jaw over behind a hand, she smiled. For a man of such grace and poised self control, getting to see him so crudely undone even for a moment was an indulgence. "I hope this doesn't count as bribery or some shit. Some-how I don't think Soren would approve."
Above her, he gave a hard and slight sputter of amusement at that - but it was a real sound of a laugh, the kind he always gave a breath of hesitation after with a hissed intake as if wondering when the last time it had been.
A wave of sudden smothering certainty crashed through her; the kind of boneless certainty that rearranged the guts of the universe itself to where he was indistinguishable from the beating heart itself. Always - her own heart sang, -always - she wanted this beautiful man to have the merest possibility of that laugh. Damn the heavens if it felt otherwise. she would make it happen.
COLLAPSE
spoils of war
gunter/corrin, #fefates , bad ending
Creator Chose Not To Use Warnings
i genuinely enjoy drawing my favorites as rapists... it's interesting poking at why.
that rare pleased fire-burn of 'oh this is provocative with thought. this has substance. (how is such an malicious action depicted substance?) there's a call to the darker parts of the id that recognizes kin. all of us have such potential, even as we wish otherwise.
and it's hot tbh. fuck me if i get a ladyboner from it ig.COLLAPSE
gunter/corrin, #fefates , bad ending
Creator Chose Not To Use Warnings
i genuinely enjoy drawing my favorites as rapists... it's interesting poking at why.
that rare pleased fire-burn of 'oh this is provocative with thought. this has substance. (how is such an malicious action depicted substance?) there's a call to the darker parts of the id that recognizes kin. all of us have such potential, even as we wish otherwise.
and it's hot tbh. fuck me if i get a ladyboner from it ig.COLLAPSE
JD Riley and kradeelav curated an #original nazisploitation anthology during spring 2024 called NaZine I with over fifteen contributors - since my copy came in, have a nice crop of my piece.
cover art by the wonderful kmclaude
A beautiful, refined, and uniquely unsettling full-color collaborative work of both art and prose delving into the fantasies of those who find particular joy in the aesthetic of Nazisploitation–a genre long misunderstood and abhorred by the uninitiated. Are you ready to be In The Know?
Contributors:
DES ABRAHAM / IDAL WAVES / JACKBOOT / J.D. RILEY / K. M. CLAUDE / KRAD / MISCELLANIUM / OZZY / ANTON RICHTER / MORO / SALT LICK / EC12 / L.F.
Creator Chose Not To Use Warnings
Print - 124 Pages (Full Color) 6.5x9.5in
FREE digital DRM-free low-resolution PDF included
If there’s any questions, happy to answer via email (overlord (at) kradeelav (dot) com)
cover art by the wonderful kmclaude
A beautiful, refined, and uniquely unsettling full-color collaborative work of both art and prose delving into the fantasies of those who find particular joy in the aesthetic of Nazisploitation–a genre long misunderstood and abhorred by the uninitiated. Are you ready to be In The Know?
Contributors:
DES ABRAHAM / IDAL WAVES / JACKBOOT / J.D. RILEY / K. M. CLAUDE / KRAD / MISCELLANIUM / OZZY / ANTON RICHTER / MORO / SALT LICK / EC12 / L.F.
Creator Chose Not To Use Warnings
Print - 124 Pages (Full Color) 6.5x9.5in
FREE digital DRM-free low-resolution PDF included
If there’s any questions, happy to answer via email (overlord (at) kradeelav (dot) com)
DEAD IS CALLING // a gunter/corrin doujinshi side strip; revelation route.
even after anankos is defeated in valla and her lover is returned, corrin wonders… what would have happened if he had won?
⚠ share on tumblr / read on ao3 / share on bsky
⚠ this strip will be part of a printed #fefates r18 doujinshi called ashes and ghost
COLLAPSE
even after anankos is defeated in valla and her lover is returned, corrin wonders… what would have happened if he had won?
⚠ share on tumblr / read on ao3 / share on bsky
⚠ this strip will be part of a printed #fefates r18 doujinshi called ashes and ghost
COLLAPSE
assorted sketchdumps of scenes from your ruin, my ruin my 120k #fefates gunter/corrin slowburn fic. even getting bad wrist problems in spring 2024 didn't slow me down... nsfw under the cut!
unclench your fists, my lover, the war is over now.
(i’ve forgotten how to uncurl my fingers from the trigger.)
be gentle, my lover, the war is over now.
(i don’t remember what it’s like not to have gunsteel in my bones.)
come home, my lover, the war is over now.
(i’m back at the place i left but home is gone where i cannot find it.)
sleep, my lover, the war is over now.
(the war follows me into sleep. i’m afraid i’ll never leave it behind.)
kiss me, my lover, the war is over now.
(my fingers still drip red and i do not want to stain you with them.)
— teach me how to be at peace again ( j.p. )
COLLAPSE
unclench your fists, my lover, the war is over now.
(i’ve forgotten how to uncurl my fingers from the trigger.)
be gentle, my lover, the war is over now.
(i don’t remember what it’s like not to have gunsteel in my bones.)
come home, my lover, the war is over now.
(i’m back at the place i left but home is gone where i cannot find it.)
sleep, my lover, the war is over now.
(the war follows me into sleep. i’m afraid i’ll never leave it behind.)
kiss me, my lover, the war is over now.
(my fingers still drip red and i do not want to stain you with them.)
— teach me how to be at peace again ( j.p. )
COLLAPSE
what greater sin wip’s. love i can remove almost every iconic element from alucard and he’s still recognizable. more nsfw pix and talking about the #hellsing doujin under the cut
WGS was originally created as an alucard/integra-centric doujinshi since it’s been one of my mainstay ships from day one.
halfway through creating WGS, i started getting into walter/integra for various reasons.
firstly, old man walter’s hot. porque no los dos.
secondly, now, before the audience starts pelting me with tomatoes and molotov cocktails, I find i like walter/integra in large part because it brings up deeply uncomfortable questions about why integra/alucard feels so delightful to ship but why walter/integra feels viscerally wrong in comparison when arguably alutegra is just as skewed in a consent and power tilt sense.
integra’s raised in a deeply fucked situation where she kills for the first time before her teens, is raised by two men who are at *best* platonically obsessed with her, and have each already killed hundreds. that’s at best. personally i’m under no delusions that they both have designs on her to various degrees.
i intentionally drew her with lolita style in mind to point harder at that.
when and where does she try to reclaim her agency (sexually, with violence, with coercion)? when does she succeed? when does she not? when is her diminutive quality an advantage?
when do all three of them find the humanity in each other? when do they bite harder at each other’s psychic wounds?
COLLAPSE
WGS was originally created as an alucard/integra-centric doujinshi since it’s been one of my mainstay ships from day one.
halfway through creating WGS, i started getting into walter/integra for various reasons.
firstly, old man walter’s hot. porque no los dos.
secondly, now, before the audience starts pelting me with tomatoes and molotov cocktails, I find i like walter/integra in large part because it brings up deeply uncomfortable questions about why integra/alucard feels so delightful to ship but why walter/integra feels viscerally wrong in comparison when arguably alutegra is just as skewed in a consent and power tilt sense.
integra’s raised in a deeply fucked situation where she kills for the first time before her teens, is raised by two men who are at *best* platonically obsessed with her, and have each already killed hundreds. that’s at best. personally i’m under no delusions that they both have designs on her to various degrees.
i intentionally drew her with lolita style in mind to point harder at that.
when and where does she try to reclaim her agency (sexually, with violence, with coercion)? when does she succeed? when does she not? when is her diminutive quality an advantage?
when do all three of them find the humanity in each other? when do they bite harder at each other’s psychic wounds?
COLLAPSE
a very, very happy birthday to the incredible @glassshard ! hats off to the dear @forumkedis for instigating this; we figured your boys from unsounded would be a treat for you, especially in such … compromising … positions ~
even late blooms need a good watering - for jonphaedrus
crossposted on Ao3
tags: #fefates
Creator Chose Not To Use Warnings
COLLAPSE
crossposted on Ao3
tags: #fefates
Creator Chose Not To Use Warnings
COLLAPSE
title: first time
It’s the only time Corrin feels the old veteran’s hands tremble.
Creator Chose Not To Use Warnings
crossposted on Ao3
COLLAPSE
It’s the only time Corrin feels the old veteran’s hands tremble.
Creator Chose Not To Use Warnings
crossposted on Ao3
COLLAPSE
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nsfw under the cut